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There's the tall one and there's the short one. They are best friends. In order to celebrate a drunken four-eyes party, they go deep into woods of Silschede. Soon the alcohol makes them more aggressive than it's good for them. Tey starting a silly punching game in which the tall one kills the short one. He is shocked and can't believe it. When he tries to dispose the body a wicked dwarf is suddenly around him and tells him of a rare kind extremely vitalizing mushrooms, which can bring his dead friend back to life again. But to find these magic mushrooms is everything else but easy...and who knows if those mushrooms really got the effect the dwarf is promising.

England, 19th century: Seth Pilaster runs one of the most influential banking houses in the kingdom. When Hugh Pilaster, the capable and talented youngest member of the family, realizes that he has no chance against his less talented cousin on the career ladder due to family circumstances, he tries to drown his frustration in the dive bars of London's working-class districts. There he falls in love with poor Maisie. However, as he sees no prospects for either his professional future or his love for Maisie, he first goes to America, only to return six years later as a successful banker. To make matters worse, Maisie is now married to Hugh's best friend and the balance of power has also changed fundamentally.

"Die Kinder der Flucht" is a three-part German docudrama that portrays the harrowing experiences of children and young people during the final months of World War II and its aftermath in Eastern Europe. The series weaves together dramatized reenactments, archival footage, and poignant interviews with real-life survivors to tell three distinct yet interconnected stories of displacement, survival, and resilience.

Judith, an investigative journalist, begins to unravel a murder mystery that implicates one of her current lovers. When she checks out a peep-show business on the seedy side of Hamburg as part of the investigation, she runs into a former boyfriend who used to be a psychiatrist but is now an arms dealer. Judith is lured back into his fold, cheating on her current lovers, one of whom is also a shrink. Despite her profession, or perhaps because of it, Judith tends to blend fantasy and reality, so small wonder she is attracted to psychoanalysts. But, two shrinks and a murder prove more than Judith can handle. 　　"Valie Export's third feature is an anti-romance in which the heroine, oscillating between two relationships, 　　gradually discovers that both are impossible, not because the subjective processes of "love" are defective, 　　but because the objective, social matrix in which both her male lovers operate is corrupt, immoral, murderous: 　　in this film, the male world and its power structures cancel the possibility of love beyond the matter of sexuality, 　　that is the objectification of love. Export makes use of techniques drawn from her earlier experimental cinema, 　　video and conceptual photography to expand the possibilities of narrative feature filmmaking and to disintegrate 　　some of its overdetermined conventions." 　　Video control in subway stations and in street traffic, tapes and cameras are very important 　　for the structure of the film. Mediocrity, hypocrisy and violence are the film's main themes. 　　Valie Export deals with them on private, social and media levels, adhering to the techniques 　　of video avant-garde.

A young woman finds herself ensnared by a mad scientist, thrust into the depths of a hidden laboratory where the boundary between science and perversion blurs. Subjected to harrowing experiments and “modifications,” she’s forced into a diabolical ordeal that melds terror with an unnerving twist on bodily manipulation. As the story unfolds, it descends into a whirlpool of blood, sex, and violence, capturing the essence of a nightmare that relentlessly tests the limits of the human spirit and body.

Two years after consorting with the wrong people cost him his job as public prosecutor, Eduardo Silva is a measly defense attorney, who works from his hotel room. Loosing a bit from her fellow-angler uncle, he gives a shot as unpaid apprentice to freshly-graduated gypsy Marcia Amaya, whom nobody would consider hiring so far, but is soon offered crossing to the office of Silva's successor as prosecutor. Their first client is common-as-muck Joana Soares, accused of murdering her beached-up husband after a public fight, without an alibi, claiming a blackout. Eduardo is countered while working out, with help from Marcia's and Joana's families, how the affair actually relates to illegal trade in medicine, with twists including the involvement of a crime lord.

Der Kommissar und das Meer is a German television series.

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